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The Quiet Part Out Loud

by John Kimsey & the Twisted Roots Quartet

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1.
words & music by John Kimsey / John Kimsey Tunes, ASCAP The Nearest Nothing When it’s a near miss at certain bliss and you’ll never be the same You feel confusion, guilt and a Peterbilt load of regret and shame You know that you had something rare as rubies in the plumbing That was a million miles from moving files to advance the nearest nothing Then I ran into you like a bolt from the blues hurled while I was out running All manner of brain-dead errands and chores that only left me strumming Mindlessly away and out of tune, not caring A million miles from everything except the nearest nothing The nearest nothing is no place to camp Bad for heart, bad for soul and coming for your lamp But when I fell under your spell I knew I was feeling something That was so deep and pure and sweet my heart went bungee jumping And I just want to thank you for that gentle nudge oh darling Like being brushed by an angel’s wing, light years from the nearest nothing Like being brushed by an angel’s wing, light years from the nearest nothing
2.
words & music by John Kimsey / John Kimsey Tunes, ASCAP ILL MET BY MOONLIGHT ". . .The eye of man hath not heard, the ear of man hath not seen, man’s hand is not able to taste, his tongue to conceive, nor his heart to report what my dream was." — words of Bottom the Weaver, in Shakespeare’s A Midsummer Night's Dream, Act 4, scene 1, 220-4 Ill met by moonlight, proud Titania Ill met by moonlight, he did say Now both us are angling to possess this precious changeling And the greenwood won’t be treated this a way Oberon he was a mighty king, now he’s resting in a fairy ring The only kind of music he could understand was the wind in the willows under his command Ill met by moonlight, proud Titania Ill met by moonlight, he did say Now both us are angling to possess this precious changeling And the greenwood won’t be treated this a way Now people say that Puck could run, let me tell you what Puck he done Left out of Memphis quarter to nine, mountains of the moon, dinnertime Ill met by moonlight, proud Titania Ill met by moonlight, he did say She said both us are angling to possess this precious changeling And the greenwood won’t be treated this a way Now Bottom said before that day what he’d like for his last play Quince said to Bottom what might that be? Why, the rude mechanic’s Spanish tragedy Ill met by moonlight, proud Titania Ill met by moonlight, he did say Now both us are angling to possess this precious changeling And the greenwood won’t be treated this a way Titania she was a mighty queen, smash any spell to smithereens But at Bottom’s bray, she turned and said, “This mortal’s welcome in my flower bed” Ill met by moonlight, proud Titania Ill met by moonlight, he did say Now both us are angling to possess this precious changeling And the greenwood won’t be treated this a way Now when the fay get too upset, it makes the earth wanna cry and sweat But when they feel in harmony, the planet sighs with sweet relief Ill met by moonlight, proud Titania Ill met by moonlight, he did say Now both us are angling to possess this precious changeling And the greenwood won’t be treated this a way Young lovers on midsummer’s night, take good account of your sweet delight You never know when you might be some brilliant mistake of cupiditree Ill met by moonlight, proud Titania Ill met by moonlight, he did say Now both us are angling to possess this precious changeling And the greenwood won’t be treated this a way
3.
Marianne 02:56
words & music by John Kimsey / John Kimsey Tunes, ASCAP Marianne Marianne Come down off your wall Curse and bless us with the pearls you have hauled And “What’s gonna become of me?” Some damn fool once said to thee Ah but you had more cojones than he Marianne Marianne Your vineyard-gulping throat Was Ophelia’s before she set afloat But you’ve said so much more Sitting cross-legged on the floor In a voice that could launch a war Marianne Marianne They condescend How dare they preach at you, they just pretend Like desperate little boys, all puffed up to make some noise But you drank them under the table Then stood up and said fuck labels, bring us joy Bring us joy Marianne Hit that special note That will make whole all that is broke And as for Bobby D, he was never up to your degree Just nursing unacted desires While Marianne you rise up higher We can only but admire Marianne Marianne Marianne
4.
words & music by John Kimsey / John Kimsey Tunes, ASCAP Special Kind of Fool From a window in a twenty-fourth floor office I watch’em as they raise new steel and glass up to the sky And up around the cranes, I see the braves who walk those girders And after work, I hear’em hoist’em high, saying It’s a high risk occupation, o my brothers It takes gumption, know-how and you have to furnish your own tools See it’s not just any jackleg off the street can do this job No it takes a very special kind of fool You work hard and do all the things you’re supposed to You hit your marks and say can do, boss, no matter what the chore You play by all the rules, you pay your dues then punch in one day To hear’em say, wait – the plant’s just been off-shored And it’s a high risk undertaking, John Q. Public It takes gumption, know-how and you have to drink the aid that’s kool See it’s not just any joker off the street can dream that dream No it takes a very special kind of Fool We always hurt the one we say we don’t want to “We” is a small word for a big honkin’ mystery But you left little doubt after you stepped out the last time That we to you is long gone history And it’s a high risk proposition, little darlin’ It takes gumption, know-how and a firm acquaintance with the blues See it’s not just any someone off the street can stand the heartache No it takes a very special, takes a very special Oh it takes a very special kind of fool
5.
words & music by John Kimsey / John Kimsey Tunes, ASCAP A Billionaire Just A billionaire just Is plain folk like you or me, you see he made it The old-fashioned way By tugging bootstraps and a Barnum’s worth of Tax breaks -- it’s so sub-prime You need only try And hey, the billionaire just Wants this NDA signed A billionaire just Wants to help, he’s a job creator big time Who’s all about giving back to the human race That’s so imperiled he must build A rocket ship like a steely dan Billionaire DNA must live On in space if only in a Can you or I We’re not Bezos or Gates or Wang Wei Ours not to ask why Ours to go out and buy It’s enough to make you Up- Chuck and die But of course you never do, you’re way too busy Pushing big rocks Up to the tops of hills where they just roll right back down again That’s why god made Billionaires and Percodan, so we all can Call this living Like billionaires Just without a billion or any air there there
6.
FF & FFH 03:40
words & music by John Kimsey / John Kimsey Tunes, ASCAP; Horn arrangement by Tom Elferdink FF & FFH Well we were ff and ffh Now what’s that s’posed to mean I hear you say Well it ain’t no secret code We were fucked, flustered and far from home Oh my, oh no We were ff and ffh ‘til the cows come home All you ramblers with your smarty pants phones You need to download the app for the twilight zone ‘Cause you will trip like lickin’ toad When you’re fucked, flustered and far from home Oh lawd, uh oh We were ff and ffh down to the bone Like Christopher and Paulie when They were lost out in the Pine Barrens They could not even whack a mole So fucked, flustered and far from home Oh my, marone They were ff and ffh ‘til the break of dawn Now when you think that you’re in Rome But you find that you’re really gone gone gone For sale, 1 custom van with commode That’s been fucked, flustered and far from home Oh lawd, uh oh We was ff and ffh We was ff and ffh It’s something I guess we just got to own Fucked, flustered and far from home
7.
words & music by John Kimsey / John Kimsey Tunes, ASCAP The Quiet Part Out Loud The official he was speaking to the congress of the surge He said success had blessed us, we were nearly on the verge Of routing the insurgents, they only seemed unbowed Then he stared ahead a hundred yards And said the quiet part out loud The trader he was raking in the derivative dividends When asked what this all meant re: the over-riding trends He said a dollar's to be made by them that god's endowed Then he licked his lips, went on too long And said the quiet part out loud I was looking at the news, I thought it's them or us, all right Then we met the enemy and he was us and I had a sleepless night And as I watched those talkers now become a blank background One of them was live on mic And said the quiet part out loud I know you from another life in another place and time Or so I thought on meeting you at the Christmas pantomime I turned away embarrassed, so clearly out of bounds Then you came up and took my hand And said the quiet part out loud Yes you came up and took my hand And said the quiet part Out loud
8.
words & music by John Kimsey / John Kimsey Tunes, ASCAP Last of the Genuine Fakes Everybody’s trying to be so dadblame real But if you have to try does it really come from here? My own sincerity is inserted post production I’m a heartbroke poet that’s never shed a tear He’s the authentic, expert-rated bona fide make and model With the absolutely real deal totally vintage date He’s got endless time to dawdle with all that shmoozy twaddle See he’s the last of the genuine fakes I am the great pretender, I’m your pin boy And when I take a knee the ladies all feel faint That’s showbiz as they say, Mr. President Never give a sucker a halfway even break He’s the authentic, expert-rated bona fide make and model With the absolutely real deal totally vintage date He’s got a list of everyone who ever crossed him he means to throttle And he’s the last of the genuine fakes Was a time posing wouldn’t do, you actually had to play that thing Now gimme autotune and I will move this world More than two chords and they say you’re getting all high and mighty And hey boomer, that’s so 80s, ee-yew -- singing ‘bout some girl My toupee’s all a-glued and my corset’s drawn up tight I’ve stuffed my trousers with a can of Tang My heart is on the sleeve of this here record And my mascara’s got some rock’n’roll to drain I’m the authentic, expert-rated bona fide make and model With the absolutely real deal totally vintage date All you big shots in this bidness get set, I’m fixin’ to grovel See I’m the last of the genuine fakes I’m the last of the genuine fakes
9.
words & music by Jimmy C. Newman & Floyd Chance / Southern Arts Music; arrangement by John Kimsey Alligator Man Mosquitoes buzzing 'round my head Spanish moss for my bed I very seldom see dry land 'Cause I'm an alligator man I hunt the gator all night long Take his hide and then I'm gone To see that girl from Bayou Chance Who loves this alligator man And when I bring my wares to town All the people gather 'round Oh they just want to shake the hand Of that tall gator man Some people search this world for fame But fighting gators is my game And all the scars upon my hand Show I'm an alligator man Mosquitoes buzzing 'round my head Spanish moss for my bed I very seldom see dry land 'Cause I'm an alligator man
10.
words & music by Bobby Darin / Trio Music & Alley Music Long Line Rider Doin' ten to twenty hard, swingin' twelve pounds in the yard Every day, every day I came in with a group of twenty, there ain't left but half as many In the clay, in the clay Hey, long line rider, turn away There's a farm in Arkansas, got some secrets in its floor In decay, in decay You can tell where they're at, nothin' grows, the ground is flat Where they lay, where they lay Hey, long line rider, turn away All the records show so clear, not a single man was here Anyway, anyway That's the tale the warden tells as he counts his empty shells By the day, by the day Hey, long line rider, turn away There's a funny taste in the air, great bulldozers everywhere Diggin' clay, turnin' clay And the ground coughs up some roots wearin' denim shirts and boots Haul 'em away, haul 'em away Hey, long line rider, turn away Someone screams investigate ‘Scuse me sir, it's a little late Let us pray, let us pray This kinda thing can't happen here, ‘specially not in an election year Outta my way, outta my way Hey, long line rider, turn away Well, I heard a brother moan, "Why they plowin' up my home?" In this way, in this way I said, "Buddy, shake your gloom, they're just here to make more room In the clay" U.S.A.
11.
words & music by John Kimsey / John Kimsey Tunes, ASCAP Sleeping with the Bees Well I would surely rather see you Sleeping with the bees Than to come round here mopin’ and chokin’ On that ditchweed I been to Cairo, I met a payroll Been to rocktoberfest Where they dined on the beach while the salamanders Gasped for breath Oh we had a brief shining moment Naked on the half shell Then they gave their holy romans a hammer and a mission bell What’s that smell And now I swear I hear my teacher Preaching from the ground Saying watch for the moonbeam that makes that Prince William sound Oh we had a brief shining moment Naked on the half shell Then they got all their hugh beaumonts to line up at the closing bell For to sell So take the high road or take the low road We’ll smell like otherness When we meet in the peat where the fossils Wait to be undressed in their Sunday best
12.
words & music by John Kimsey / John Kimsey Tunes, ASCAP When the End of the World Was Young I remember duck and cover, sure, I remember that mushroom halo Hanging over all our heads like a Dr Strangelove payload I remember Dallas, yes and I have read of World War Uno The war to end all wars that bred a world of well, you know I heard about the fossil fuels way back from Dr. Barry Cranking the meter up to hell should the powers that be tarry And all this stuff is still around, now pegged out at ungodly Makes a body long for the good old days when Rapture was a song by Blondie When the end of the world was young And the times were apocalyptoid Now most of us go blithely on just scrolling through the factoids Then Reaganomics bared its fangs and we were sucked dry by the market So long, you toiling masses -- hey, it’s been a slice of oligarch profits But happily there’s endless war and its Circus Mass Distractus Lest we pause to think this plague’s too good to have come from a pangolin breakfast When the end of the world was young And we lived like there was no tomorrow Tempus fugit and vita brevis and the time we got is borrowed May you live in interesting times they say, it’s an old Chinese expression That means screw you, you so and so and the opium you rode in on These end times never seem to end, a bad rerun out of Hell Please to pick your dystopia – have a Huxley, have a Orwell pick it
13.
words & music by john Kimsey / John Kimsey Tunes, ASCAP The Whistleblower The baby food was tainted, she knew from on the line The boss said it would shake out to a cost-of-doing business fine She couldn’t stand the thought, you know, of her own, you get the pic So she grabbed that sash and signaled something grievously amiss The whistleblower What does she get for her trouble A clear conscience, yes And a job search at best “We tortured some folks,” said the president in what was s’posed to be contrition But how exactly does that differ from following the mission And the officer who called this out felt there had to be a reckonin’ So they put him on trial, sent him to jail and let him be a lesson To whistleblowers Here’s what you get if you expose us An ignored alarm, my brother While you’re down on some Parchman Farm or another The video it clearly showed the Apache crew a-whoopin’ ‘Bout the hadjis they mowed down from their helicopter swoopin’ Over women and children -- hey it’s their fault, bringing kids into a thresher But the analyst she knew that this was collateral murder She blew the whistle Got solitary for refusing to knuckle While the one who published the truth Was starved and mind-fucked without mercy And so it goes while we ignore the imperial war crime nursery Oh whistleblower Nailed to the cross of the owners Oh whistleblower Nestled in your hollow shoulder Whistleblower War, war, war over and over Whistleblower Preserving what’s left of our knowing
14.
words & music by Rev. Robert Wesby / Copr. Rev. Robert Wesby Woke Up This Morning Woke up this morning with my mind Set on freedom Woke up this morning with my mind Set on freedom Woke up this morning with my mind Set on freedom Hallelu, hallelu, hallelujah Woke up this morning with my heart Set on freedom Woke up this morning with my heart Set on freedom Woke up this morning with my heart Set on freedom Hallelu, hallelu, hallelujah I’m gonna walk the walk I’m gonna talk the talk I’m gonna walk the walk I’m gonna talk the talk Woke up this morning with my mind Set on freedom Woke up this morning with my mind Set on freedom Woke up this morning with my mind Set on freedom Hallelu, hallelu, hallelujah

about

All songs by John Kimsey, except where otherwise noted

John Kimsey’s original songs bend Americana six ways from Sunday, drawing on homegrown Southern music styles to map the underside of the American dream. His companions in that venture are The Twisted Roots Quartet: Lia McCoo, vocal, flutes, percussion; Morry Fiddler, keyboards; Steve Hashimoto, bass; and Brad Newton, drums. On this outing, they are joined by numerous special guests, including Heath Chappell, Jim Kimsey, Tom Elferdink, Peter Seman., Gus Friedlander and Hank Horton.

Praise for Twisted Roots:
“An ingenious way to integrate political and social commentary into a musical architecture”
-- Ben Sidran (former host, NPR’s Jazz Alive and score composer, Hoop Dreams)

"This is music to inspire the soul and charge your commitment to peace and justice."
--Anthony Nicotera, DePaul University Center for Spirituality & Values in Practice

"A wonderful blend of lyricism and political satire and a bona fide work of American art"
-- David Simpson, DePaul SCPS

“Quirky, literate, and original”
--Toby Thomas, Silver Moon Radio

credits

released March 25, 2022

JK, vocals & guitars; Lia McCoo, vocals & percussion; Morry Fiddler, keyboards; Steve Hashimoto, bass; Brad Newton, drums

with Heath Chappell, drums; Tom Elferdink, saxophones; Jim Kimsey, guitars & accordion; Peter Seman, fiddle; Gus Friedlander, banjo & mandolin; Hank Horton, acoustic bass; Tommi Zander, ambient percussion

Artwork by Steve Hashimoto
Recorded & mixed by Ellis Clark & Brian Leach
Mastered by Blaise Barton at Joyride
Produced by John Kimsey

Contact: E-m twistedroots@earthlink.net
FB: John Kimsey & The Twisted Roots Quartet, band

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John Kimsey Oak Park, Illinois

Singer, songwriter, guitarist and bandleader John Kimsey is a musical man about town (and country). He helms and writes for The Twisted Roots Quartet; does old-timey duet sets with brother Jim as The Kimsey Brothers; conjures psychedelic pandephonium with power trio Medicated Goo; and whips up cheeky pop euphoria with The Art Thieves. Then he has a nice sandwich. ... more

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