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Somewhere A Guitar: Twisted Roots Music, 1983​-​2003

by John Kimsey

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1.
Somewhere A Guitar words & music by John Kimsey / John Kimsey Tunes (ASCAP) Somewhere somebody’s thinking of an old time used to be Somewhere some joker’s winking and collecting user fees Some inmate takes a nail file and scrapes out a tattoo Some kid drapes a telephone wire with some basketball shoes Somewhere a guitar plays the blues Somewhere a market’s booming and they’re breaking out the Dom Somewhere they’ve stopped saluting and they’re cooking up a bomb Some say whatever happens, happens thanks to you Some are born to win some say, others you’ll see on the news Somewhere a guitar plays the Blues ain’t nothing they say but Some good folk done wrong How long has that Evening train been gone Some say that Dr. Frankenstein has won the science fair Some suspect someone like Raymond’s been playing solitaire Some’ll rob you with a six gun and some with balance due Some say god has told’em burn them that break one of my rules Somewhere a guitar plays the Blues is a feeling they say like you’re Damned if you do Or if you don’t And you got to choose
2.
Monkey Trial 04:28
Monkey Trial words & music by John Kimsey / John Kimsey Tunes (ASCAP) In Tennessee where I come from I heard tell as a child Of William Jennings Bryan And that great monkey trial Now Bryan was a friend to all Who’d come up by the scruff And strove to walk that narrow path That’s writ of in the Book O glory glory O glory glory For one who knows that burning word There’s little need of schools All crowded with the fancy talk Of educated fools Oh folks can act like angels, yes Or root with hogs at feed A dragon’s brother was poor Job But not a chimpanzee’s O lordy lordy O lordy lordy Yet as I grew I noted how So like beasts of the field Men butted heads or locked up horns For a piece of land or meal And then I got the call to war From smiling Uncle Sam Creed and country to defend In far-off Vietnam De o de lay dee De o de lay dee Toting up the body count And wading through quicksand I became a stranger to The ways of God and man Great vanity to lay the blame On creatures great or small There is no animal save one That knows the word napalm Aheeee Now Mr. Scopes he paid his fine Back in 1935 The rest of us I often think Await our monkey trial Await our monkey trial
3.
Good Morning Mr. Lomax words & music by John Kimsey / John Kimsey Tunes (ASCAP) Good morning Mr. Lomax Good morning Mr. Lomax Welcome to cellblock, welcome to cellblock 19 Well do you need someone to holler Down your recording machine You can hear me holler You can hear me holler You can hear me holler ooh hoo, yes you can hear me call Well anywhere they’re dragging irons Or a nine-pound hammer falls Lugging a ‘leven foot cotton sack and hacking through the swamp Dreaming ‘bout Little Mamie doing the Okie Dokie Stomp When that long line skinner man, he drops his head and runs And the boss squeezes one off and cuts another notch on his gun The folklorist Alan Lomax recorded scores of inmates on his many field trips to Southern penitentiaries The story goes that one time, one man said something like this: Mr. Lomax I ain’t singing I came here to say my piece To your machine to the president about the way they treat us Down here on this farm where the killers keep the keys And a man he ain’t no man, he’s just the mostest of the mostest of the least He’s the mostest of the least Well a man he ain’t no man, he’s just the mostest of the least
4.
Unworthy Craftsman words & music by John Kimsey / John Kimsey Tunes, ASCAP Unworthy craftsman, you do the dirty work Your gameboard is the world, a man’s a handful of dirt Princes in the keep, cavaliers standing guard Hard-working stiffs below who’d just kill For a winning card Unworthy craftsman, put out the people’s eyes Then complain they’re blind and polish up a new lie It’s the lord’s work, carrying the hod For a mighty tower to some Latter-day Nimrod Whose eye on the dollar, whose sign on the seal? Is it level and who surveys the field? Is freedom for the wolf freedom for the sheep? So many questions, there there relax And go back to sleep Unworthy craftsman, a time-honored role In the great work that turns love into gold It’s only make-believe to artists of the deal Will the mill keep spinning ‘til it’s you Underneath the wheel Underneath the wheel Note: If, dear listener, you think this song sounds like a certain celebrated rock trio who peaked in the early 80s, we can neither confirm nor deny such a notion. For some light reading though, see the book The Game Player: Confessions of the CIA's Original Political Operative, by Miles Copeland the elder.
5.
Dog Eat Dog Eat Dog words & music by John Kimsey (John Kimsey Tunes, ASCAP) They say it’s a dog eat dog world into which you’re thrown You got to fight just to survive, tooth and nail for crumb and bone And in a dog eat dog world God bless the dog that’s got his own And yes it’s a downright rotten lowdown dirty shame You got to eat or be a meal, you got to prey or be fair game But after dog eat dog eat dog Somehow it all comes out the same Way up in the boardroom where they buy and they sell Got plenty to catch’em should they fall Down here on dead end street it’s just you and your bad self In a war of all against all Sometimes it makes me wanna howl Sometimes it makes me wanna moan or go see Mr. Jones ‘Cause in a dog eat dog world Everybody must get stoned Way up in the boardroom where they buy and they sell Got plenty to catch’em should they fall Down here on dead end street it’s just you and your bad self In a war of all against all Somebody shake me, wake me up And tell me it ain’t what it seems, it was all just a dream But in a dog eat dog world Ain’t no one gonna hear you scream ‘Cause we’re all just trudging on through dog-eat no-man’s land Muttering what they always say, “It’s jungle out there, man” There’s just one thing about this jungle: It were made by human hands
6.
Do You Walk Like You Talk words & music by John Kimsey (John Kimsey Tunes, ASCAP) There’s a man on the screen and his cufflinks they shine And he’s talking ‘bout how you ought to live And he says he can help and put in a good word If you can find it in your pocketbook to give Do you walk like you talk? Would you do like you say? Could you take it the way you dish it out? It’s so easy to preach when you’re living in style Could you walk it like you talk it for a mile? There’s a woman on the street and she sleeps on a grate In a city that holds with doing time But the man with the badge come to take her away Decides the punishment just doesn’t fit the crime Do you walk like you talk? Would you do like you say? Could you take it the way you dish it out? It’s so easy to preach when the day is so bright Could you walk it like you talk it through the night? Light’s gone out and the sign’s all wrong Pavement’s hard and the road is long well well well There’s a leader who looks in the camera and says There’s a cause that you must serve that is so just You must head off to war to ensure there is peace And go get them all before they can get us Do you walk like you talk? Would you do like you say? Could you take it the way you dish it out? It’s so easy to preach as you sit looking down Could you walk it like you talk it on the ground? Could you walk it like you talk down on the ground?
7.
Pay No Attention words & music by John Kimsey (John Kimsey Tunes, ASCAP) The mighty wurlitzer Piping through the system, the exquisite machine The mighty wurlitzer Playing on your heartstrings as you stare at what’s there on the screen Come and journey out to where the arches are gold Feel it where the enterprise flies free And the buffalo roam on the videodrome And Disneyland was made for you and me The mighty wurlitzer Pulling out the stops so that the show can go on The mighty wurlitzer Pay no attention to the man behind the jumbotron Ride the big one, roll the bones, be all you can’t be Spend a moment filling out the form Runners-up can claim the free home version of our game Offer good ‘til April Fools’ Day morn The mighty wurlitzer You’re getting very sleepy and it’s dark all around The mighty wurlitzer Let it carry you along and block out the unpleasant Sounds that echo from those shapes in the back row Is it hot in here or am I crazy oh no Wait don’t answer that I mean That is, I mustn’t stop the show O mighty wurlitzer, mighty wurlitzer, mighty wurlitzer, mighty wurlitzer All rise as we sing along and all rise as we sing along and all rise as we sing along and Drown out the noise from below The noise from below
8.
9.
Elvis on Velvet words & music by John Kimsey (John Kimsey Tunes / ASCAP) Last evening you and me we had our usual fight And I went out driving and drinking and cussing the night And somewhere ‘bout dawn I was out on the interstate strip When I pulled in a truck stop, thinking I’d pick up some little making-up gift And as I looked around at the selection of post cards and coasters and corncob pipes My eyes came to rest on something familiar I’d never quite seen in that light It was a souvenir Meant to bring a tear: Elvis on velvet Wasn’t anything great, just a cheaply made dayglo affair And it depicted the King in his later and lonelier years But it set me to thinking ‘bout all that I’d done in my life And two kids who met back in ’57 who went on to be man and wife And they might have been fools to rush in but they were young and they had no doubts They just liked to dance all night long to “Baby, Let’s Play House” And their love was true But now it’s just misty blue Like Elvis on velvet Now the King is no longer with us, but his spirit lives on In the hearts of his fans, in his pictures and of course in his songs And even in truck stops I guess, ‘cause as I stared at that thing I thought for a moment I saw his lip quiver like when he was fixing to sing And then somebody turned a radio on and it was playing “That’s All Right” And I thought to myself hell, the King ain’t gone and there’s still good rockin’ tonight And I’ve been a fool But I’m gonna be on you Like Elvis on velvet ‘Cause our love ain’t through Baby I go with you Like Elvis on velvet
10.
Train of Life words & music by Roger Miller (Sony/ATV Tree Publishing); arr. Kimsey I sit alone at my table, watching the others have fun I’m tired of being the sidetrack, watching the main line run I’m tired of having no future, feeling my race has been run I’m tired of being the sidetrack, watching the main line run Watching the main line run Oh train, train Oh let me ride Don’t leave me Train of life I got no one to call me their darling, to hug me and call me their own I’m tired of being the sidetrack, watching the main roll on I’m tired of having no future, feeling my race has been run I’m tired of being the sidetrack, watching the main line run Watching the main line run Oh train, train Oh let me ride Don’t leave me Train of life Oh train, train Oh let me ride Don’t leave me Train of life
11.
Muleskinner 05:31
Muleskinner words & music by Jimmie Rodgers & George Vaughan (Peer International); arr. Kimsey Good morning captain Good morning to you boss Do you need a new muleskinner With a blacksnake whip to toss Yodelady hee hee hee Yeehee hee hee I’m an old muleskinner And I really know my trade I can make any mule listen Or I won’t accept your pay Yodelady hee hee hee Yeehee hee hee Hee Hey there little waterboy get your butt up off of the ground Grab that bucket of water son and bring that bucket ‘round Well if you don’t like your job Then lay that bucket down On the ground Yodelady hee hee hee Yeehee hee hee Hee Muleskinner Muleskinner blues
12.
Let’s Don’t and Say We Did words & music by John Kimsey (John Kimsey Tunes, ASCAP) I don’t care for caviar I never drive no little sports car When the waiter recommends the squid, I say Let’s don’t and say we did I don’t sport no designer shoes I never watch no Hill Street Blues Some books are better left unread Let’s don’t and say we did The devil said, “Man, we could share this spread" Jesus said, “Get thee behind me, Pitchfork-head” When Pandora went to open that lid, they told her Let’s don’t, we’ll just say we did So keep your cocaine and your Wall Street Journals Give me a Braves game and a box of the Colonel’s I never hula hooped as a kid, why start now Let’s don’t and say we did The devil said, “Man, we could share this spread" Jesus said, “Get thee behind me, Pitchfork-head” When Pandora went to open that lid She wouldn’t listen, she did it and look where it led I know what’s good for me Call me a square, somebody’s got to be When temptation rears its ugly head That’s all, check please, good evening friends Let’s don’t and we’ll say that we did Whaddya say Nah
13.
First Sight 02:29
14.
Treacherous Rapids words & music by John Kimsey (John Kimsey Tunes, ASCAP) There’s men who were dashed against the rocks There’s men who were drowned in their tears There’s men who never left the dock There’s men who were overcome by fear Because white is the water, terrible is the whirlpool In the treacherous rapids of your love they sailed their canoes And not one ever made it through Well some of them they just lost their bearings Seeing the sun reflected off your smile And some of them they just stopped caring After listening to you sing for awhile Ah but strait is the gate, pitiful is the fool In the treacherous rapids of your love this fool’s shooting through Hoping I can get to you Now here comes the corkscrew And then it’s a big log jam Then you put me in the doldrums Just before you throw me over the dam Well I don’t know exactly what happened But somehow I lived through the ride Over the falls and down to the bottom Where you now stand by my side You just follow your heart, let your love do the rest In the treacherous rapids of your love the one to pass the test Is the one you love the best
15.
The Market Has Spoken words & music by John Kimsey (John Kimsey Tunes, ASCAP The market has spoken, there’s nothing more to say Morning has broken, give us this day our daily averages And get your broker on the phone, sell high buy low ‘Cause something’s being traded here but you Don’t know what it is oh no Do you Mr. Jones? The market has spoken on behalf of you and me A modest token of the magic that can set you free To be all that you can buy, borrow or blow ‘Cause something’s being traded here but you Can’t say what it is oh no Can you Mr. Jones? Soybean futures, somebody’s genome It’s all just bidness Down on the bidding floor The market has spoken, no ifs or buts or whys Money is voting, the miracle of demand and supply Now we rejoin our scheduled show and you contestants at home Where something’s being traded if you can guess just what it is, oh no Sorry, Mr. Jones The market has spoken
16.
For What It’s Worth (live 2003) words & music by Stephen Stills Something happening here, what it is ain’t exactly clear There’s a man with a gun over there, telling me I got to beware I think it’s time we stopped, hey what’s that sound Everybody look what’s going down Battle lines being drawn, TV says it’s best to just go ‘head on All kinds of people speaking their minds, getting so much resistance from behind I think it’s time we stopped, hey what’s that sound Everybody look what’s going down In spite of the constant drumbeat, people all over the world in the street Singing songs and carrying signs, saying “Not in my name, not this time” I think it’s time we stopped, hey what’s that sound Everybody look what’s going down Paranoia strikes deep, into your life it will creep It starts when you’re always afraid, step out of line the men come and take you away I think it’s time we stopped, hey what’s that sound Everybody look what’s going down

about

John Kimsey's original songs bend Americana six ways from Sunday, drawing on homegrown southern music styles to map the underside of the American dream. They tweak the right noses, tickle the right ribs and heavens, they're tasty.

Credits for individual players and engineers are listed with each track. Cover photo by Rob Gaczol; design by Jim Kimsey.

All songs by John Kimsey, copyright controlled and published by John Kimsey Tunes (ASCAP) except where otherwise noted.

Arranged & produced by John Kimsey

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released November 27, 2020

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John Kimsey Oak Park, Illinois

Singer, songwriter, guitarist and bandleader John Kimsey is a musical man about town (and country). He helms and writes for The Twisted Roots Quartet; does old-timey duet sets with brother Jim as The Kimsey Brothers; conjures psychedelic pandephonium with power trio Medicated Goo; and whips up cheeky pop euphoria with The Art Thieves. Then he has a nice sandwich. ... more

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